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      <image:title>DOCUMENTARY - A CONVERSATION [2011]</image:title>
      <image:caption>DIRECTOR / EDITOR / CO-CINEMATOGRAPHER As story about a library as told by a librarian. Produced by Sustainable Media Studio. Featured in: 2011 Architecture Film Festival Rotterdam affr.nl/festival_2011/a_conversation.html 2011 Film Independent Short Fix Program filmindependent.org/news-and-blog/short-fix-a-conversation/ 2012 selection for Arhitecturclips, Berlin Germany architekturclips.de/a_conversation/</image:caption>
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    <lastmod>2026-08-19</lastmod>
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    <loc>https://www.mayasantos.com/creative-director</loc>
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      <image:title>CREATIVE DIRECTOR</image:title>
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      <image:caption>MEMORY BANK [2017] Using projection mapping and audio reactive technology in this historic building, "Memory Bank" was a 2-day installation and open mic that encouraged the public to share memories and reflections of Bronzeville and Little Tokyo. Stories were recorded and audiences of all ages were invited to be part of this 360 VR documentation. Conceptual Design: Eddy Vajarakitipongse of yaknowlike studios &amp; Maya Santos of Form follows Function; Technical Designer: Eddy Vajarakitipongse; Producer: Maya Santos; Research: Eseel Borlasa; Voice: Chazz Clarence Ross</image:caption>
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      <image:caption>Memory Bank, Exterior ©Rudy Espinosa</image:caption>
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      <image:caption>Memory Bank, Interior © Rudy Espinosa</image:caption>
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      <image:caption>Memory Bank, Interior © Rudy Espinosa</image:caption>
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      <image:caption>BRONZE, BRASS, JAZZ [2017] a 360 VR animation that evokes the spirit of late night jam sessions at breakfast clubs, and fabled stories about jazz great Charlie Parker, from his memorable stay at the Civic Hotel (1st and San Pedro) to a brief residency at the Finale Club (230 1/2 East First Street). Co-Directors: Javier Barboza of Kaleidoscope Media Studio &amp; Maya Santos of Form follows Function; Co-Producers: Javier Barboza, Eseel Borlasa, Joel Quizon; Executive Producers: Visual Communications, Eseel Borlasa; VR Director: Adriana Copete; VR Editor: Reggie Lamar Ford; Original Score: Dexter Story Music Publishing; VR Tech Consultant: Vicki Huang; Assistant Animator: Meejin Hong; 3D Modeler: Eric Pato; Sound Designer: Eric Pepper 360 scene © Javier Barboza, Kaleidoscope Media Studio</image:caption>
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      <image:title>CREATIVE DIRECTOR</image:title>
      <image:caption>Bronze, Brass, Jazz mobile VR viewing kiosk © Rudy Espinosa</image:caption>
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      <image:caption>Audience member viewing Bronze, Brass, Jazz © Rudy Espinosa</image:caption>
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      <image:caption>Audience member viewing Bronze, Brass, Jazz © Rudy Espinosa</image:caption>
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      <image:title>CREATIVE DIRECTOR</image:title>
      <image:caption>40's inspired ad for 'The Bronzeville Union' by Rani De Leon &amp; Maya Santos</image:caption>
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      <image:title>CREATIVE DIRECTOR</image:title>
      <image:caption>'The Bronzeville Union' performance at Union Center for the Arts © Rudy Espinosa</image:caption>
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      <image:title>CREATIVE DIRECTOR</image:title>
      <image:caption>WALKING WITH GRACE [2016] A 360 virtual reality documentary viewable via VR headsets on a mobile kiosk throughout various locations of the festival. The short documentary, Walking with Grace, highlight places and streets of Little Tokyo through the perspective of Grace Chikui, a blind woman and long-time resident. VR Director: Vicki Huang, Co-directors/producers: Joel Quizon, Maya Santos, Executive Producer: Eseel Borlasa, Sharon Lee, Assistant Producer: Elaine Dolalas, Graphics: Francisco Garcia Nava ©Vicki Huang, 360 scene from Walking with Grace</image:caption>
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      <image:title>CREATIVE DIRECTOR</image:title>
      <image:caption>LAAPFF audience and Little Tokyo community members viewing, Walking with Grace at LAAPFF 2016 © Maya Santos</image:caption>
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      <image:title>CREATIVE DIRECTOR</image:title>
      <image:caption>312 Azusa Street [2016] A site-specific video map projection located adjacent to Historic Azusa Alley, the original site of the First African Methodist Episcopal Church (FAME) and birthplace of Pentecostalism. Audiences experienced the piece as it was projected on land originally owned by Bridget “Biddy” Mason, former slave, FAME Church Founder, and one of the first African American women to purchase land in Los Angeles. Tech Design: Eddy Vajarakitipongse, Animation: Francisco Garcia Nava, Construction: Levi Brewster, Creative Director/Producer: Maya Santos © Steven Lam</image:caption>
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      <image:title>CREATIVE DIRECTOR</image:title>
      <image:caption>312 Asuza Street, cross section viewer © Maya Santos</image:caption>
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    <lastmod>2026-08-18</lastmod>
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      <image:title>CONSULTANT</image:title>
      <image:caption>Takachizu website © Rosten Woo</image:caption>
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      <image:caption>Original logo designed by Otherwise with marketing support from After Bruce.</image:caption>
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      <image:caption>© LTSC</image:caption>
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